They'll know it when they see it

One delayed flight and some much needed sleep later, we're back from our SXSW adventures.

We'll have more to report once we've had a chance to recombobulate, but meantime, many congratulations to our fellow Porn Police panelist, Joe Swanberg, whose Nights and Weekends was picked up for distribution by IFC.



While much of our panel discussion centered around the dry - and vague - legal particulars of what might be deemed lascivious or even explicit, the film is a beautiful example of sexuality utlized in the service of story and artistic expression - and why such arguments are so vital in the first place.

This just in...

Evan Shapiro of IFC, home to such bold programming as Indie Sex and This Film is Not Yet Rated, is - how shall we put it? - "...very interested in sex."

Perhaps even obsessed.

Pinch hitting for The Reeler, he explains:

What I am obsessed with are the myriad sexual hang-ups ingrained in American society and how they continue to affect and constrain our culture. I don't mean private penchants or fetishes practiced behind closed doors by everyday consenting citizens. I mean the sexual neuroses of those in positions of authority who constantly tell us that our own predilections are not "normal" or "acceptable." These hang-ups are both interesting and important, because they who possess them often seem hellbent on inflicting them on the rest of us. Fact is, America is far more obsessed with sex than I am. By exploring sexuality, and exposing society's sexual hang-ups, we've tried -- in our way -- to de-stigmatize sex in all its forms, and help treat America's collective phobia.

This refreshingly straight-forward, activist-minded stance obviously make its presence known in much of IFC's programming. And it carries through the rest of Shapiro's post, ranging from the production of the Indie Sex series to the relevance of R Kelly's Trapped in the Closest to challenging sexual stereotypes. (WTF? Just read it.)

Four nights of great sex?!

If that's the case, looks like we actually have a bit of catching up to do. Somehow in our July torpor we missed the announcement that the documentary series, Indie Sex, began airing this week on IFC.

Fortunately, it's cable, so last night's missed episode will be back around shortly (and again and again). But we'll be watching closely to see if any of the footage the crew shot at last year's CineKink kick-off gala with the fabulous Wet Spots made it past network censors and into the final production.

And, if we're not lying somewhere on the cutting-room floor, would we be more likely considered the "Taboos" type - episode #2, airing tonight! - or a bit more an "Extremes" sort of girl?

Tune in and find out...

Um. Wow.

On our way out of the multiplex the other day, we noticed the rather demure posters for This Film is Not Yet Rated and a banner instructing us to visit IFC.com to see the posters "they wouldn't let us show you!" Later, in one of our regular moments of online procrastination, we actually remembered to do so.





We're not sure, but we assume that the "they" preventing you from seeing these posters in a theater lobby is the MPAA, the motion picture industry's trade association. And, using this instance as just an example, that might not be an entirely bad thing. While we're as down on censorship as anyone, we're not so keen on floating out of some dreamy rom-com to be smacked in the eye with a blazing image of seared flesh. (We should probably come clean with the revelation that branding is one of our own personal squick points.) (Come to think of it, both in the physical and in the marketing sense.)

But once we've left the town square and plopped down our $10.50 to see a particular film of our own adult-minded choosing, the determination of which images confront us should be left to the creativity of the filmmaker. And the process of classifying what is considered "adult" needs to be made transparent, so that filmmakers and audiences alike know where the line falls, as well as the how and the who behind that determination.

And that's where This Film is Not Yet Rated comes in. Directed by Kirby Dick--who holds a permanent place in our heart for the sensitive and engaging Sick: The Life and Death of Bob Flanagan, Supermasochist--the documentary delves into the whimsically arbitrary MPAA rating system and the power it wields over what we're ultimately allowed to see on the big screen. Featuring the candid anecdotes of such directors as John Waters, Kevin Smith, Matt Stone, Kimberly Pierce and Mary Harron, the film is particularly compelling in its look at the discrepancies in the MPAA's treatment of sex vs. violence and in an apparent aversion to homosexuality and the depiction of female sexual pleasure.

Opening in NYC and Los Angeles tomorrow, This Film is Not Yet Rated rolls out in several cities in the next weeks. Definitely make the effort to see it.